Wednesday, March 5, 2014

Melvin Schuler Sculptures

Melvin Schuler Sculpture
Third & E Streets
Old Town Eureka California





 
 
Melvin Schuler Sculpture
Copper Over Reclaimed Redwood
Private Collection



I. Wolk Gallery      artnet      Stremmel Gallery     First Street Gallery

Tuesday, March 4, 2014

Importance Of Landscape Design

Importance of landscape design
Importance of landscape design

Best Landscape Designs to Have a Beautiful Garden

Everyone dreams of having a Beautiful home - their dream home! It usually comprises of a big house, a swimming pool and an amazing Garden. Well, its not possible if you dont plan it all before you begin. So, lets just take a look at a few of the Best Landscape design practices that you could employ when planning out the Landscape of your Garden: Do the right things at the right places One of the most important facts that you should know about when designing your Garden be it the front yard or the back yard is that of striking a balance. Your Garden is going to look good only if everything is done in a sort of proportion. You can plant beds of flowers and surround them by rocky borders on either side as these look really good and are quite popular. However, this looks good only when done along the pathway and not in the centre of your Garden. Symmetrical and Asymmetrical balance Most homes have Gardens wherein they have symmetrical balance. However, if you want your Garden to be unique you should try and plan it in such a way that your Garden isnt symmetrical; but at the same time looks great and strikes a balance. All that you need to strike a balance is the right plants, rocks and water bodies. In some cases you should even consider planting small trees as a combination of these elements adds beauty to your Garden. Colour combinations When it comes to Gardens flowering plants are always a part of the Landscape. However, apart from flowering plants you should also try and plant some fancy plants that have colourful leaves. One of the Best things to do is choose around two or three colours and repeat them all around the Garden as this offers a sense of continuity and your Garden looks great and at the same time not cluttered. Therefore, sticking to a few colours is one of the most important points to note when it comes to successful landscaping. Water bodies There are plenty of different kinds of water bodies that you could install in your Gardens. Take a look at the various options that would suit your Garden considering your budget and the space available. Once you decide what you need you could go ahead and buy yourself a kit and install it on your Garden within a few hours.

Behind The Scenes Coastal Dune Garden

Creating gardens on the coast is always a challenge. There are all kinds of things to consider, like salt air, strong winds and sandy soil. Added to these natural limits, is the fact that the garden is often just the foreground to the real view - the ocean. So it needs to compliment rather than try to steal the show.


This garden is actually the second garden Ive done for these particular clients - they moved from their previous home in Morningside when they found this odd 1970s house in the La Lucia area of Durban with potentially amazing views of the ocean.
They kept the general layout of the house and completely gutted it, but essentially started again. The garden itself was a neglected, overgrown mix of plants that sloped down to the neighbours house below.

This was a really great project for a number of reasons. I have the benefits of having a good relationship with both the client and the architect, and that, coupled with being involved right from the start, I was able to add my 2 cents worth to the project as it evolved. Also, having the advantage of being part of the project from the start - almost 3 years in total, it gave me the time to really digest the site and the design. These are definitely key ingredients in making a successful garden.

Too often in landscape design, everybody involved is in a rush. We designers, are usually brought in at the last minute, and are usually the last on site, and so we often bear the brunt of the clients lack of patience because of the usual contractors delays. Being last in the chain also has other disadvantages. In most cases, projects run over budget, and the easiest place to save money is by cutting back on the luxury areas like landscaping. But its not all frustration. You also get the best look at the finished product, and share in some of the excitement that the client is beginning to feel as they see the project nearing completion. This really makes for great job satisfaction.

My clients previous garden, with roses and lavender
My clients were wanting the garden to be quite different to their previous garden, which was full of roses, and quite formal. I was relieved to hear this, because the property was quite exposed on the top of a dune, which meant we would be using a fairly limited range of plants. Roses or similar exotic plants would need an inordinate amount of attention to keep them alive - let alone looking good. The words Aloe and stone were mentioned during our preliminary discussion about the garden, and I could feel my excitement levels rising...
Although they did have one request, coming from a relatively small garden they would want it to be as open as possible, with as big a lawn area as possible.

The "Blank Slate" - you can see the unusable lawn, and the house below, that needs screening.
We removed almost all of the plants while the builder began the demolition of the existing house. The only plant that had any real value to the garden was a huge milkwood in the driveway. The driveway and boundary wall was laid out to make sure that it was kept safe.

One of the first steps, as in most landscape designs, was to sort out levels. As Ive mentioned before, creating level areas makes the garden much more user-friendly. Keeping the garden on the same level as the house means that people are more likely to spill out into the lawn.
The retaining wall below the garden had a height restriction which was well below the homes ground floor level - this would mean I would have to do some lateral thinking to try to find a way of getting the lawn level right.

Due to height restrictions, the top of the retaining wall was still well below the level we needed it to be
The second challenge in the design of the garden, was the proximity of the house in front. From the ground level of the house it not only partially blocks the view of the ocean, but is the last thing you want to be looking at when youre sitting in your lounge or dining area.
The solution would be to raise the garden to the groundfloor level. This meant that we would be able to keep the planting relatively low, and still screen the neighbours house.

Making use of the attractive vistas, and hiding the less attractive can be one of the hardest balancing acts in a garden design. It needs to be done subtly, but effectively.
This garden was one of the trickiest Ive worked on, because of the multiple levels and views in the house. Also, having the beautiful sea views and the big house both dominating the front view, made it particularly difficult.

Oehme & Van Sweden - Chicago Botanic Gardens
I began the design of the garden with a picture in my mind of flowing grasses, and mass planting along the lines of an Oehme and Van Sweden garden. They use a more naturalistic style, which would suit the site, and the use of indigenous plants. The challenge would be to create this feel in the narrow space available for the planting.


I also had a picture of the way sand forms ripples on the beach, and thought Id like to capture something of that feel in the design. This would translate into building up berms of sand, which would make a great platform on which to plant. Slowly, the design was beginning to take shape.

I took some photos of the garden, and used these to trace and sketch the picture that was beginning to form in my head.

After all the planning comes the hard slog. To begin with, we had to move about 80m3 of soil into the garden, and shape and level, and re-shape and re-level, and then do it all over again. Finally, the structure was all there just waiting to be dressed up with plants. Were almost there now, but Ill post a follow-up on the planting once weve completed it.

Interview with Travis Beck


I recently caught up with author and landscape architect, Travis Beck, whose recent book Principles of Ecological Landscape Design was just released last week.  I was lucky enough to read an advance copy over Christmas.  The content blew me away.  The book will be an indispensable text for designers interested in ecological planting.  After reading the book, I was interested in following up with Travis with a few questions.

What prompted you to write this book?

Ive been interested for a long time in how to design landscapes modeled on natural systems. I kept looking for the book that would answer all of my questions. Eventually I realized that if I wanted to really think this through, I would have to write a book myself.    



Can you tell me about your writing process?

I would begin by researching the subject of a chapter and identifying all the topics I wanted to cover. I would usually feel overwhelmed until I got to the point where I could see enough connections and start to build a narrative. Then I would write one topic at a time and eventually stitch everything back together to make up a chapter.  One thing that helped my productivity immensely was discovering the reading room at the main branch of the New York Public Library. I would arrive in the morning when they opened, work for a couple hours, take lunch in Bryant Park, and then go back and work until they closed. It was magical being in that room with so many other people working on who knows what other projects as the sun tracked across the big wooden desks. 


The book is heavily grounded in ecological research.  Was it difficult to sort through the huge body of work to find research that applies to design?

The underlying premise of the book is to take a concept from ecology, as it is understood by ecologists, and think through how it applies to design. In some cases, such as plant communities, that was easy. In other cases, such as patch dynamics, it was hard.

The interesting twist is that in order for ecologists to get a handle on big natural systems they frequently do experiments at a landscape or garden scale. David Tilman and his work on diversity in grasslands is one example. So this research has direct relevance to landscape designers.

As a designer interested in doing ecological work, I realize that most of what I know about ecological design is based on a few eco-slogans (right plant, right place; use natives; consider biodiversity).  But these slogans provide little guidance about what and how to plant.  Was this book an attempt to get beyond the eco-slogans?

Absolutely. The more research I did, the more I appreciated the complex view of the living world that ecologists have developed. I also got to know the work that various practitioners have done to apply pieces of what ecologists have discovered in a practical way. There is a growing movement towards better landscapes grounded in real ecological understanding, and there is still so much potential.

Are there built projects that you think are good examples of ecological design?

I have great admiration for the work of Kongjian Yu. His Qunli Stormwater Park, which won the ASLA General Design Award of Excellence last year, is an example of what you can create when you implement these ideas fully. 

Youve lived and built projects in two very different environments (Colorado and New York).  Do you think ecological planting strategies vary much from region to region?

The principles apply everywhere, but different conditions bring different issues to the fore. When I worked in Colorado the main concerns were water conservation and dealing with heedless development. In New York the big questions are about inserting ecological function back into a highly urbanized area and using living systems to help cope with sea level rise and future storms. In both places I think an ecological approach begins with seeing the broad regional context, and then creating something effective within that context on a particular site.

Have you read a book recently that you wished you had written?

Cloud Atlas by David Mitchell. I was an English major in college.

Do you have plans for the next book?

Im taking a break for now, but I have lots of ideas Im interested in exploring. Maybe Ill do a little blogging first to try some things out.

Where can your readers stalk you? 

My personal website is ecologyanddesign.com. I can also be found most days on the grounds of the New York Botanical Garden.



Monday, March 3, 2014

Ideas For The Perfect En Suite Bathroom To A Master Bedroom

As glamorous Bathrooms become more and more desirable, their inclusion in a home inevitably adds to the value of the property. It was not long ago that the idea of an en-suite Bathroom to a master bedroom was exceptional and decadent. Nowadays it is a requirement for many. Conversely when viewing a prospective property to purchase, the sight of a dirty Bathroom with stains under the taps and mould in the grout lines is a real turn-off. One nice trick that can be learned from the boutique hotel is the giant headboard. Where a bedroom is large enough to move the bed away from the wall, it is possible to build a freestanding wall that can act as a headboard (often containing bespoke bedside units with reading lights and recesses for books or a glass of water). In the space behind, fit a small en-suite Bathroom, possibly with a walk-in shower entered from one side and a WC and basin from the other. Many older houses have very large bedrooms, often with great high ceiling, but most will not have an en-suite Bathroom as this was not a common feature of the day. By building a wall that can act as a headboard, a cool shower-room/ Bathroom can be accommodated elegantly within the room space. Sliding frosted glass doors add privacy if required. The first and most fundamental thing to get right once you have found your space is the arrangement of elements within, Bathrooms do not have to be large (although more space can certainly add to the sense of luxury), but even if space is restricted it is vital to keep the lines simple and to maximise the sense of unity. A common mistake is to try to cram too much into a small Bathroom. If you cannot choose between a bath and shower, dont try to squash in both, but find an elegant way (there are many) of using the bath as the shower tray. Resist the temptation to squeeze in a bidet between the basin and WC unless there is genuinely plenty of room. Twin basins are great, unless they have to be small and close together - much better to include one large basin with bespoke floating cabinet and everything will feel larger. Builders will often say that you cant put a Bathroom here or there because of the plumbing. There is always a way to solve the plumbing: work out where the Bathroom will work best and stick to your guns. Lovely Bathroom sparkle, so the lighting has to be right. Simple recessed low-voltage halogen down-lighters are yet to be matched for their light quality in the Bathrooms. Select the enclosed type suitable for Bathroom use.

NATIVE PLANTS

Roberto Burle Marx (1909-1994) one of the seminal figures in 20th century landscape design, was the child of a Brazilian mother (Burle) and a German-Jewish father (Marx). His mother fostered his passion for gardening and his father in design. His father had immigrated to Brazil around the turn of the century.  Born in Sao Paolo, att the age of 19, (1928) Roberto moved to Berlin to study art while engrossing himself in the massive cultural revival of the Weimar Republic. (Burle-Marx left after a couple of years as the political climate had quickly changed, most obvious of which was the building anti-semitism). However, It was while studying painting in Germany during the Weimar Republic, as he would later tell it, that Burle Marx realized that the vegetation Brazilians then dismissed as "scrub and brush," preferring imported pine trees and gladioli for their gardens, was truly extraordinary. Visiting the Botanical Garden in Berlin, he was startled to find many Brazilian plants in the collection and quickly came to see the untapped artistic potential in their varied shapes, sizes and hues.

The irony here is that these native Brazilian plants were not as prized in Burle-Marx’s homeland of Brazil as they were in Germany. Yet the twist is that they were soon to disappear from the Botanical Gardens because at around this time the Nazi party was developing it’s “Blood + Soil” ideology. “Blut und Boden” ideology insisted on the close relationship between nature and the German people and with it, preached the crucial role of landscape in forming and preserving national culture. This included the banishment of all non-native plants and trees from the Fatherland (Germany).

 
Reich Minister of Food + Agriculture Richard Darre, 
one of the leading proponents of "Blood + Soil."
Tried and convicted at the Nuremburg trials, he died of alcoholism.